梧桐の夢語り | 雯苑影评人档案

影評人簡介 CRITICS INTRO

梧桐の夢語り是一位来自日本川崎市的导演，于2026年加入雯苑影人协会。梧桐の夢語り is a director from Kawasaki, Japan. She joined our society since 2026.

最愛電影 HER FAVOURITE FILMS

圣女贞德蒙难记 The Passion of Joan of Arc

最愛影人 HER FAVOURITE FILMMAKERS

Abbas Kiarostami

影評 POSTED REVIEWS

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Aug 20, 2026

Douglas Gordon by Douglas Gordon (2026)

I like the non linear narrative and the way that they both are artists and trying to fight for the artistic direction.

Aug 06, 2026

坏蛋联盟2 (2025)

If nobody in the world owned gold anymore, it would be essentially worthless except for its industrial uses.

Jul 21, 2026

Christopher Nolan’s The Odyssey again approaches the epic primarily as a story about war. He reimagines Odysseus as a guilt-ridden commander suffering from the psychological trauma of combat, and the film becomes, above all, a long and painful journey home. What puzzled me, however, is Nolan’s treatment of the gods. In Homer, the gods are active agents with human tempers and their own designs. Athena above all acts as Odysseus’s guardian and guide, stepping in at the moments that most need her to carry the story forward as a form of deus ex machina. Nolan works differently. With the exception of Athena, the gods in his adaptation function mainly as symbols of systemic oppression. Yet he does not drain the story of fate, and once the gods lose the human qualities they hold in the myths, a real contradiction opens up. On one side they embody a violence that is transcendent, almost elemental. On the other they seem to stand as guardians of justice, upholding a moral order that is recognisably human. That order rests on causality and on a linear idea of justice, and this is precisely what the film never manages to reconcile with the indifference of nature and with fate itself. The gap stays in the finished work, and that is what puzzled me. Therefore, it raises an important question about the film core message: there is something that Odysseus breaks, but in the name of god, what is the thing?

Jul 19, 2026

Familiar Touch (2024)

I adore this film, for not having screaming and kicking, and just showing an adventurous journey, of accepting the nature of our bodies.

Jul 14, 2026

我住在凡尔赛的日子 (2025)

It's a lovely story about trauma and family but it also takes a rather mainstream view on a lot of contextual setting that could be challenged.

Jul 14, 2026

一个悲伤而美丽的世界 (2025)

I don’t really think the big time gap works here. Not in terms of the continuity like why they have a daughter, but in terms of the social political context the film tries to engage with.

Jul 13, 2026

告知信 (2026)

The sudden change of the wife, while I understood that it is implied through her closeness to her daughter, is still very heavy handed. Also, she should be more straightforward about his husband’s hypocrisy: to find their daughter he can easily ask help from the people he is against and ignore others privacy. I think the father should be dealt with more ambiguity but now it’s weird black and white.