雯苑影評人協會
Worldwide Chinese Film Critics Society

• BY 我们拥有夜晚

我们爱过一次 (2025)

• BY 梧桐の夢語り

水瓶座 (2016)

It is less about what she is going to do but about who she is and what makes her her.

• BY 梧桐の夢語り

巴克劳 (2019)

In his third film, KMF demonstrates a masterful directorial vision, weaving a prophetic narrative that interrogates both historical colonialism and ne...

• BY 梧桐の夢語り

Recife Frio (2009)

How did he do this?

• BY 梧桐の夢語り

舍间声响 (2012)

I guess the uniqueness of this is that he sees middle class. For the benefit of storytelling, modern class story seems to prefer a binary opposition,...

• BY 梧桐の夢語り

Noite de Sexta, Manhã de Sábado (2006)

Quite literately the image of body, the shared experience of touching/feet and sand. Very aggressive editing.

• BY 蓝谷的风儿

水瓶座 (2016)

3.5 很耐心的日常化拍法，反功利，反戏剧性，用细节与有趣的镜头静静雕刻女主的生活，一直蓄力到最后的小小爆发。“这座公寓见证了你们的成长”“我在这幢楼里看着...

• BY ZZY花岗岩

幽灵肖像 (2023)

• BY 蓝谷的风儿

幽灵肖像 (2023)

私人记忆电影制作成档案资料型纪录片的典范。幽灵的线索和结尾的虚实结合一定程度上消解了影像资料的厚重感。细致且有余韵。

• BY ERCISTUART

幽灵肖像 (2023)

把影像作为一种记忆，把记忆作为一种线索，导演在织电影这件毛衣的事情上，真的有独特的天赋，但我最喜欢的还是结尾关于“电影院”和“教堂”的比较，以及结尾的神来...